Lieder im Entgleiten (Songs While Slipping Away)—an extensive and opulent song cycle for baritone and orchestra.
In three parts, the work tells a story—a story of the celebration of life, of slipping away, of amazement and transfiguration.
In its central section the work addresses the audience directly in an intense way.
Baritone Benjamin Appl is celebrated by audiences and critics alike for a voice that “belongs to the last of the old great masters of song” with “an almost infinite range of colours” (Süddeutsche Zeitung), and artistry that’s described as “unbearably moving” (The Times).
Former Gramophone Award Young Artist of the Year, Appl was a BBC New Generation Artist 2014–16, a Wigmore Hall Emerging Artist and ECHO Rising Star in 2015–16. He signed exclusively to Sony Classical 2016–21 and began a multi-album deal with Alpha Classics from Autumn 2021.
Christoph Eschenbach is a phenomenon amongst the top league of international conductors. Universally acclaimed as both a conductor and pianist, he belongs firmly to the German intellectual line of tradition, yet he combines this with a rare emotional intensity, producing performances revered by concert-goers worldwide. Renowned for the breadth of his repertoire and the depth of his interpretations, he has held directorships with many leading orchestras and gained the highest musical honours.
The work is dedicated to Dietrich Fischer-Dieskau, the “singer of the century”, who, with his vocal artistry “bordering on a miracle” (Le Monde), gifted the world with spiritual and musical experiences of the highest order.
The artist, who received countless honors—including the Order of Merit of the Federal Republic of Germany, honorary doctorates from the universities of Harvard, Oxford, Yale, Sorbonne and Heidelberg, as well as the honorary citizenship of the city of Berlin—would have been 100 years old in 2025.
With Benjamin Appl and Christoph Eschenbach two of the most outstanding artists of our time—and at the same time Dietrich Fischer-Dieskau’s last master student and his longtime piano partner—will perform this work.
Markus Schönewolf writes “music of a poetic quality, as if it had been written for fictional landscapes” (Kölner Stadt-Anzeiger); performances of his music are described as an “almost magical experience”. Interpreted by outstanding soloists and ensembles, performed internationally and documented on CD, Schönewolf’s music captivates with its “spiritual and emotional depth and virtuoso joy of playing”.
“The music of Lieder im Entgleiten ignites a counterpoint of the soul of dissonant and harmonic contrasts of the opposing entities of life and death. Its melos carries the motifs of the soul in a triumphal song of a transfiguration.”
4500-year-old texts from ancient Egypt, works by the great philosophers of the Orient and Occident, passages from the Old Testament and historical and contemporary poetry combine to form a libretto that takes the audience on a journey.
Poetic statements, sentences and aphorisms by Friedrich Schiller, Johann Wolfgang von Goethe, Alexander Pope, Friedrich Hölderlin, Rainer Maria Rilke, Justinus Kerner, Paul Celan, Dietrich Bonhoeffer, Jean de la Croix, Manfred Osten and Hartmut Oliver Horst, among others, are used.
Scored for large orchestra and elaborately and colorfully orchestrated, the music follows the text, depicting the range of human feeling and experience.
Following in the tradition of the great symphonic works, the music transports the listener into a world of sound that is captivating in its individuality and disturbing in its emotional impact.
